Blah Blah Blah

Blah Blah Blah examines the instability of conversation when words are spoken without attention, without listening, and without intention. The sculpture consists of fragments of letters and partial text forms placed on thin vertical elements that remain in a constant state of slight movement and instability. The forms do not settle into a fixed position but appear to shift, suggesting language that moves but does not arrive anywhere.

The work is based on the idea of conversation that never reaches depth — surface-level talking, distracted listening, and words that pass through space without being fully received. Structurally, the letters are present but not grounded; they exist in a state of suspension and movement, reflecting speech that circulates without resolution or meaning. The sculpture presents language as unstable, mobile, and unresolved, translating a social and conversational condition into physical form.